London: printed for Faber and Faber at the Curwen Press, 1930. First printing: Signed Limited edition. Hardcover. 28pp. Copy #72 of the 200 copies signed by Eliot which were printed for Great Britain, a further 400 being printed for the Fountain Press in America. 20.5x15cms, in the original binding of..... More

London: J.Johnson, 1783. First edition. Hardcover. [2] (title), viii, 240pp, [2] publishers' ad. (n.b.: pagination error - there is no p.233/234). Contents in very good order, with foxing to some pages. Endpaper gutters professionally reinforced with cloth. 22.5x14cms, in an early half calf binding with marbled boards ruled gilt, with..... More

London: Kegan Paul, Trench, Trubner & Co, for the Early English Text Society, 1903. First thus. Hardcover. xxx, 148; with the original printed purple wraps bound in. Front wrap and title page bear the stamp of Bedford College. With an Introduction, Notes, Glossary and Index of Names, as well as..... More

London: Blackie & Son, 1888. First edition thus. Hardcover. c.250pp per volume, with many guarded plates. Contents bright and fresh, with a little toning to the margins of the plates; the original dark endpapers are intact, the boards firm. All edges gilt, bright. c.22.5x15.5cms, in the original bindings of red..... More

Manchester: Carcanet New Press Ltd., 1980. First UK edition. Paperback. xii, 84pp. Illustrated wiith a frontis photo of H.D. and a facsimile of a poem by Pound. Contents very fresh and unmarked, appears unread. Paperback with pictorial cover: spine flat, clean and square, minimal signs of handling. Very nice copy..... More

London: Routledge, 2012. First edition. Hardcover. xiv, 139pp, +[6] adverts. Fresh unread copy. No marks, no blemishes. 'This book explores the idea of poetry in radio and sound as well as the concept of pure sound as poetry, both historically and within a contemporary perspective, examining examples of makers and..... More

London: Elkin Mathews, 1920. First edition. Hardcover. 78, [i]. Poems. Contents clean, with foxing to the prelims and the final page, and an ownership name and the small stamp of a Bombay bookseller to the front pastedown. Some toning to endpapers, and the uncut closed edges of the text block..... More

Oxford: Oxford University Press, 1993. First edition. Hardcover. x, 230pp. Contents very fresh, appears unread. In original binding of black cloth with spine lettered in gilt. Small knock to base of spine, otherwise as new. In unclipped (unpriced) pictorial dustwrapper (reproducing a painting by Lucien Freud) as new but for..... More

Bristol: Sansom & Company, 2012. First edition. Paperback. 96pp, richly illustrated in colour. The title sounds as though this could be an anthology, but the paintings and, after the introduction, the writings, are all by Newcomb. Quarto glossy paperback, 27x21cms, in fresh, unread condition. Brings together her art, her sly..... More

London: Verso, 2001. Reprint. Hardcover. xx, 358pp. Inscribed to the title page 'For Liz, with love / Chris'. Contents otherwise clean and unmarked. In the original binding of quarter dark blue cloth titled in black, with lighter blue paper-covered boards. Fresh, bright, corners sharp, spine ends blunted. In the protected..... More

Longman, 1993. First edition. Paperback. xviii, 308pp. Contents very clean and unmarked, appears unread. Medium size paperback, 214x136mm, with black pictorial covers (reproducing a Stanley Spencer painting): firm, bright, clean and square, with minimal signs of handling. More

London: Routledge, 1990. First UK edition. Hardcover. xvi, 443. Contents clean and fresh. In the original binding of russet cloth with spine titled in silver, firm, bright and sharp: slight compression to foot of spine. In the protected grey-green 'wrapping paper' dust jacket: clean and unclipped, with creasing to top..... More

London: Weidenfeld and Nicolson, 1960. First English edition. Hardcover. 304pp. Contents clean. In the original green cloth-textured binding titled in gilt, clean, firm and bright, corners sharp. Small nick to head of spine, foot of spine slightly blunted. In the protected unclipped pictorial dust jacket, which has three neatly-repaired closed..... More